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Ballet
16 questions · Music
On 23 February 1653 a fourteen-year-old dancer appeared on stage in Paris, covered in golden rays. In the “Ballet royal de la nuit” he played the rising sun, and he happened to be king: Louis XIV. The young monarch loved to dance, and at his court a courtly pastime became a stage art with fixed rules. In 1661 he founded the Académie royale de danse. That is why the steps still have French names all over the world: whether in Moscow, Tokyo or New York, a class begins with a plié at the barre, a turn on one leg is a pirouette and a stretched pose is an arabesque.
In the nineteenth century Romanticism took over the theatre. In 1832 Marie Taglioni floated across the stage like an air spirit in “La Sylphide”, on the tips of her toes and in a calf-length tulle skirt. From these beginnings came the pointe shoe and the tutu, the emblems of the ballerina. Nine years later came “Giselle”, the story of a peasant girl who after her death falls among the Wilis, vengeful ghosts of jilted brides. In 1870 Paris saw “Coppélia”, in which a young man falls in love with a mechanical doll.
Then the centre moved to Russia. The Frenchman Marius Petipa shaped in Saint Petersburg the style we now call classical and created “The Sleeping Beauty” with Pyotr Tchaikovsky. Tchaikovsky’s “Swan Lake”, with the enchanted Princess Odette, and “The Nutcracker” remain among the most performed works of all. In the twentieth century Sergei Prokofiev wrote “Romeo and Juliet”. All of this is danced at great houses such as the Bolshoi in Moscow, the Mariinsky in Saint Petersburg and the Paris Opera, and the high point of the evening is usually the pas de deux.
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