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Claudio Monteverdi
13 questions · Music
Claudio Monteverdi, born in 1567 in Cremona (the city soon to become world-famous for its violin makers) published his first compositions at 15. As singer, viol player and composer he entered the service of the Duke of Mantua, where he worked for more than two decades: underpaid and often ill-treated, but artistically bolder than anyone of his time.
In Mantua, in 1607, came his masterstroke: 'L'Orfeo', the story of the singer Orpheus trying to bring his Eurydice back from the underworld. It was not the very first opera: but it is the earliest one still in the repertoire: Monteverdi was the first to show what the new genre could really do. He defended his madrigals against conservative critics with a self-assured doctrine: the 'seconda pratica' permits breaking the rules when the expression of the text demands it: music serves the word, not the other way round. In this, Monteverdi embodies the transition from the Renaissance to the Baroque like no one else.
In 1613 came the call to Italy's most prestigious musical post: maestro di cappella at St Mark's in Venice. There he wrote sacred music of the first rank, as early as 1610 he had published the magnificent 'Vespers of 1610'. In his seventies he witnessed another revolution: Venice opened the world's first public opera houses: opera for a paying public rather than for princes. The old man supplied their masterpieces: 'The Return of Ulysses' and 'The Coronation of Poppea'.
Did you know that Monteverdi was ordained a priest at about 65? He died in Venice in 1643 and was buried in the Frari church: the man who taught opera to walk.
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