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Figures of Speech
18 questions · Language
Figures of speech are not decoration hung on a finished text; they are the tools that make language land at all. Call a city's centre its heart and you are using a metaphor: an image that does without „like“. Say someone is as busy as a bee and you have stepped back to a simile. Let the wind whisper and the sun smile, and that is personification; insist you have said something a million times, and that is hyperbole. The opposite direction works just as well: „not bad at all“ praises by denying the opposite, which is litotes, and calling a downpour „lovely weather“ means the reverse of what it says: irony.
Things get interesting where words contradict each other. An oxymoron packs the contradiction into a single expression: deafening silence, bittersweet, jumbo shrimp. A paradox stretches it across a whole statement that sounds absurd until you look twice: „I know that I know nothing“, or „less is more“. An antithesis sets two thoughts against one another: „It was the best of times, it was the worst of times.“ And a chiasmus crosses the word order over itself, as in Kennedy's „Ask not what your country can do for you: ask what you can do for your country.“
Then comes everything to do with sound and rhythm: alliteration, repeating an opening consonant, as in Shakespeare's „Full fathom five thy father lies“; anaphora, repeating the beginning of successive clauses, which is what gives „I have a dream“ its drumbeat; onomatopoeia, where the word imitates the noise it names: buzz, hiss, clang. A euphemism softens what is unpleasant, so that people are not fired but „let go“. A rhetorical question wants agreement rather than an answer. A climax builds step by step, as in Caesar's „I came, I saw, I conquered“. An ellipsis leaves out what the reader supplies anyway („The more, the merrier“), and a pleonasm does the exact opposite by saying the same thing twice: free gift, burning fire.
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