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Hector Berlioz
13 questions · Music
Hector Berlioz, born in 1803 in La Côte-Saint-André near Grenoble, was meant to become a doctor like his father. But in Paris the medical student fled the dissecting room for the opera house and, against his family's wishes, switched to the Conservatoire. It was the start of a career of battles: official France denied the radical its great posts all his life, and he had to compete for the Prix de Rome four times before finally winning it in 1830.
That same year the 26-year-old wrote the work that overturned music history: the 'Symphonie fantastique'. Across five movements, bound together by a recurring 'idée fixe', it tells of a young artist's obsessive love, an opium dream, a march to the scaffold and a witches' sabbath. The trigger was Berlioz's real-life obsession with the Irish actress Harriet Smithson: whom he did later marry, though the marriage proved rather less poetic. With this stroke of genius Berlioz became the father of modern programme music and the boldest orchestrator of his age; his treatise on instrumentation became the standard work, studied by Richard Strauss and Mahler after him.
He thought in superlatives: his 'Requiem' calls for four off-stage brass orchestras, and his opera 'Les Troyens', after Virgil's Aeneid, runs over four hours and was never performed complete in his lifetime. Because Paris spurned him, Berlioz earned his living as a feared music critic and celebrated triumphs abroad as a conductor, from London to St Petersburg, while being ridiculed at home.
Did you know that his concert overture 'Le Carnaval romain' and the Faust legend 'La Damnation de Faust' are still repertoire pieces today? Berlioz died in Paris in 1869, embittered: full recognition of his work came only in the 20th century.
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