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Jazz
16 questions · Music
Around 1900 a music that had never existed before rang out of the bars, dance halls and street parades of New Orleans. In the port city on the Mississippi, African rhythms, blues, ragtime, church singing and the brass bands of the parades came together. Pianists and bands found work in the red-light district of Storyville, and cornet, clarinet and trombone played across one another, each one free and yet together. Later this style was called Dixieland. From the start, the heart of it all was improvisation: no one played a solo the same way twice.
When Storyville closed in 1917, many musicians moved north, to Chicago and New York. In the 1920s an African American culture flourished in Harlem, and in the 1930s jazz became pop music: the swing of the big bands, with their sections of saxophones, trumpets and trombones, filled the ballrooms. The saxophone, which the Belgian Adolphe Sax had once built for military bands, became the voice of jazz, while the double bass carried the tempo with its walking bass.
After hours, young musicians met for jam sessions in clubs like Minton’s Playhouse. That is where bebop was born in the early 1940s: fast, intricate and made for listening rather than dancing. Then things moved quickly: hard bop, cool jazz, free jazz without fixed chords around 1960, and at the end of the 1960s fusion with rock and electric instruments. The New York label Blue Note Records, founded by the Berlin émigré Alfred Lion, captured many of these breakthroughs. Jazz is still celebrated today at festivals such as Newport, since 1954, and Montreux on Lake Geneva, since 1967.
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