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Molière
12 questions · Literature
Jean-Baptiste Poquelin, born in Paris in 1622, the son of the royal upholsterer, was meant to inherit his father's lucrative office and chose instead the most disreputable profession of his day: the theatre. As 'Molière', the 21-year-old founded the 'Illustre Théâtre' with the Béjart family of actors, promptly went bankrupt and briefly sat in debtors' prison. Thirteen years of touring the provinces followed; the best schooling a comedian could have. In 1658 the troupe performed before the young Louis XIV, and the Sun King laughed: Molière got a Paris stage and later the hall of the Palais Royal; the king even stood godfather to his son.
Now came the comedies that made Molière the father of modern comedy (comedies of character that render hypocrites, misers and pretentious fools of every kind immortally ridiculous: 'Tartuffe', the pious fraud who worms his way into a family) banned for years at the urging of devout circles; 'The Miser' with Harpagon wailing over his money box; 'The Misanthrope' Alceste, despairing at society's mendacity; 'The Bourgeois Gentleman', in which Monsieur Jourdain is delighted to learn he has been speaking prose all his life. Molière wrote, directed and played the leads himself: only the king's favour shielded him from the constant fire of church and offended classes.
The irony of his death is bitter: in 1673 Molière collapsed on stage: in the title role of 'The Imaginary Invalid', his final comedy about a hypochondriac. He died a few hours later; as an actor denied a church burial, he was interred quietly by night.
Did you know that the French still call their language 'the language of Molière' and the Comédie-Française 'the house of Molière'?
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