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Painting
13 questions · Art
All about Painting: Because the plaster stays wet only a few hours, a fresco must be painted quickly, in daily sections ('giornate'): corrections are barely possible. Famous examples are Michelangelo's Sistine ceiling and Raphael's Vatican rooms. Because tempera dries almost instantly, areas are built up from fine strokes and hatching rather than soft blends. In the early Italian Renaissance e.g. Botticelli: it was standard, until oil painting displaced it from the 15th century.
Applied in thin, translucent layers (glazes), oil paint produces deep, glowing colours and the finest detail. From the 16th century it became the main technique across Europe: from Rembrandt into the modern age. Leonardo da Vinci already used soft light-dark transitions to make figures look three-dimensional. In the Baroque, Caravaggio and Rembrandt heightened the effect into theatrical drama with deep shadows and targeted light.
Good to know: 'Fresco' comes from the Italian for 'fresh': meaning the fresh, wet plaster.
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