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Piet Mondrian
19 questions · Art
Piet Mondrian is born in 1872 in the Netherlands. He begins as a fairly traditional landscape painter: he paints trees, windmills, the wide Dutch plain. But step by step he simplifies what he sees. His famous series of tree pictures shows how, over several paintings, a tree becomes more and more a web of lines, until the subject almost disappears.
Out of this search Mondrian develops one of the most radical pictorial ideas in modern art. He reduces painting to its absolute basic elements: straight horizontal and vertical lines, rectangular fields, and only the three primary colours red, yellow and blue, plus black, white and grey. Everything round, slanting or accidental he leaves out. He calls this style "Neoplasticism" and seeks in it a pure, universal harmony.
Mondrian is a co-founder of the Dutch movement "De Stijl", which carries this strict clarity into architecture and design as well. His influence reaches far beyond painting to this day: his characteristic grids of black lines and coloured fields appear on dresses, buildings and products of every kind.
In 1940 Mondrian flees the war to New York. The energy of the metropolis and jazz music thrill him and bring new momentum to his last pictures, such as "Broadway Boogie Woogie", in which the strict lines suddenly seem to dance. He dies in 1944 in New York. Did you know that Mondrian was a passionate dancer and that his late pictures are directly inspired by the rhythm of boogie-woogie?
Mondrian reduced painting radically to straight lines and the primary colours. His path there shows in ‘The Red Tree’, ‘Gray Tree’, ‘Evolution’ and the ‘Lighthouse in Westkapelle’, before pure abstractions like ‘Composition II in Red, Blue, and Yellow’, ‘Composition with Red, Yellow and Blue’, ‘Composition 10 in Black and White’ and ‘Composition with Large Red Plane’ emerged. In New York he found a new rhythm: in ‘New York City’, ‘New York City I’, ‘Broadway Boogie Woogie’ and the unfinished ‘Victory Boogie Woogie’.
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