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Richard Strauss
14 questions · Music
Richard Strauss, born in Munich in 1864, grew up steeped in music: his father was principal horn of the Munich Court Opera and a sworn despiser of Wagner who gave his son a strictly classical upbringing. It didn't help: young Richard fell for the new music and, with his tone poems, became the boldest orchestral wizard of his age. 'Don Juan', 'Till Eulenspiegel's Merry Pranks', 'A Hero's Life' and 'Also sprach Zarathustra', whose sunrise fanfare became world-famous through Stanley Kubrick's '2001: A Space Odyssey'.
Then Strauss conquered opera: 'Salome' (1905), after Oscar Wilde, scandalised the moral guardians with its Dance of the Seven Veils: the Kaiser turned up his nose, the box office rang; with the proceeds Strauss built his villa in Garmisch. After the jagged 'Elektra' began the legendary partnership with the poet Hugo von Hofmannsthal: their 'Der Rosenkavalier' (1911), a waltz-drenched comedy set in Maria Theresa's Vienna, became his greatest stage success. Strauss was also a star conductor and a shrewd organiser: he fought for composers' copyright and was among the co-founders of the Salzburg Festival.
His relationship with the Nazi era remains controversial: in 1933 he accepted the presidency of the Reich Music Chamber, but fell from grace in 1935 when his letter to the Jewish librettist Stefan Zweig was intercepted: he also protected his Jewish daughter-in-law and her family. The wartime destruction of Germany's opera houses moved the octogenarian to write 'Metamorphosen', a threnody for 23 solo strings.
Did you know that his 'Four Last Songs' (farewell music of autumnal beauty) were premiered only after his death? Strauss died in Garmisch in 1949, aged 85: 'Dying is just as I composed it in Death and Transfiguration.'
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