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Wordplay
18 questions · Language
Language is a remarkably patient toy. You can shuffle its letters until „listen“ turns into „silent“; that is an anagram, and the same trick gave Salvador Dalí his mocking nickname „Avida Dollars“. You can build a sentence that reads the same in both directions, like „A man, a plan, a canal: Panama“, and you have a palindrome. You can squeeze every letter of the alphabet into a single line: „The quick brown fox jumps over the lazy dog“ is the most famous pangram in English and still shows up wherever typefaces are tested. Or you can avoid one letter entirely: Ernest Vincent Wright wrote „Gadsby“, a novel of more than fifty thousand words that never once uses the letter „e“, a lipogram of extraordinary stubbornness.
Then there is the craft of shortening. Say NATO as a word and it is an acronym; spell out F-B-I letter by letter and it is an initialism. Invent a meaning for an existing abbreviation after the fact („Save Our Souls“ for SOS, which was really chosen for its simple Morse rhythm) and you have a backronym. Melt two words into one and you get a portmanteau such as brunch or smog, a term Lewis Carroll coined himself; if the word is brand new, it is a neologism.
The rest of this pack is playground. The spoonerism, named after the Reverend William Archibald Spooner, swaps opening sounds until a crushing blow becomes a blushing crow. The malapropism reaches for a similar-sounding word and grabs the wrong one, as Mrs. Malaprop does throughout Sheridan's „The Rivals“. There is the ambigram that still reads when turned upside down, the tautogram in which every word starts with the same letter, the acrostic whose first letters spell a hidden name, the tongue twister, the homophone that sounds alike and is spelled differently, the contronym that carries two opposite meanings at once and finally the pun, which makes people groan before they laugh.
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