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Middle Ages to Baroque

16 questions · Art

Anyone entering the cathedral of Autun around 1130 saw the Last Judgement above the portal: a giant Christ in the middle, souls being weighed on scales beside him, and devils with long claws. The sculptor Gislebertus even carved his name beneath it. Romanesque art told the story of salvation in stone and paint, stern and solemn. In the East, meanwhile, the mosaics and icons of Byzantine art gleamed on gold backgrounds, and soon Gothic art set huge coloured windows glowing at Chartres and in the Sainte-Chapelle in Paris. In the fifteenth century art suddenly became earthly. In Flanders, Jan van Eyck and Rogier van der Weyden worked in oils so finely that you almost feel the fur, the velvet and the reflections: Early Netherlandish painting was born. In Florence, Masaccio and Botticelli rediscovered antiquity, and Brunelleschi demonstrated linear perspective with an experiment using a mirror. Around 1500 the Renaissance reached the High Renaissance, when Leonardo, Michelangelo and Raphael were all at work at once. Leonardo blurred the outlines of the Mona Lisa in sfumato, and Michelangelo gave his David the contrapposto of ancient statues. Then figures grew longer and stranger: Mannerism loved Parmigianino’s Madonna with the Long Neck. The seventeenth century brought the Baroque, with Rubens, Bernini and mighty triptychs above the altars. Those who followed Caravaggio painted figures emerging from deep black in the manner called tenebrism, and Caravaggism spread from Rome to Utrecht. In Rome, Andrea Pozzo fooled every eye with a dome that is only painted, a masterpiece of trompe-l’œil. Finally things turn light and playful: in Rococo, Fragonard’s young woman swings high and loses her shoe. Sixteen questions take you through some seven hundred years of European art, from the church portal to the salon.

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Which art movement produced the Last Judgement above the portal of Autun Cathedral around 1130, signed by the sculptor Gislebertus?

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Romanesque art

Romanesque art flourished from about 1000 to around 1200; its images show strictly ordered, often oversized holy figures.

💡 Did you know? The name only appeared in the nineteenth century, because the art recalled ancient Rome.

Which art movement set huge coloured windows glowing from the twelfth century on, for example at Chartres and in the Sainte-Chapelle in Paris?

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Gothic art

It arose around 1140 in the region around Paris and spread across Europe until the fifteenth century.

💡 Did you know? Renaissance scholars gave it the name as an insult: they thought the style as barbaric as the Goths.

Which art movement painted saints as icons on gold backgrounds and decorated the Hagia Sophia with mosaics?

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Byzantine art

It arose in the Eastern Roman Empire, with its capital at Constantinople, and lives on today in Greek and Russian icon painting.

💡 Did you know? During the Iconoclasm of the eighth and ninth centuries, religious images were at times banned and destroyed.

Which art movement did Jan van Eyck and Rogier van der Weyden found in fifteenth-century Flanders with their finely detailed oils?

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Early Netherlandish painting

The Ghent Altarpiece by the van Eyck brothers, completed in 1432, is considered one of its masterpieces.

💡 Did you know? For a long time Jan van Eyck was said to have invented oil painting; in fact he only refined it masterfully.

Which art movement began in fifteenth-century Florence with painters such as Masaccio and Botticelli, deliberately reviving antiquity?

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Renaissance

Supported by wealthy families such as the Medici, artists rediscovered the body, space and nature.

💡 Did you know? The word means rebirth; as early as 1550 Giorgio Vasari wrote of the “rinascita” of the arts.

Which art movement names the brief golden age from about 1500 to 1520, when Leonardo, Michelangelo and Raphael were all at work?

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High Renaissance

Its centres were Florence and above all the Rome of Popes Julius II and Leo X.

💡 Did you know? Around 1504 Leonardo and Michelangelo were both working in Florence on battle scenes for the same hall in the Palazzo Vecchio.

Which sixteenth-century art movement loved elongated, twisting figures, as in Parmigianino’s “Madonna with the Long Neck”?

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Mannerism

The name comes from the Italian “maniera”, an artist’s personal style.

💡 Did you know? El Greco, who worked in Toledo, is often counted among its late exponents.

Which seventeenth-century art movement relied on splendour, movement and emotion, as with Rubens and Bernini’s “Ecstasy of Saint Teresa”?

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Baroque

After the Reformation the Catholic Church used the overwhelming effect of this art to inspire the faithful.

💡 Did you know? The word probably comes from the Portuguese “barroco”, an irregularly shaped pearl.

Which art movement did Gerrit van Honthorst and Hendrick ter Brugghen bring from Rome to Utrecht around 1620?

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Caravaggism

They imitated Caravaggio: dramatic light out of darkness and saints with the faces of ordinary people.

💡 Did you know? Honthorst painted so many candlelit night scenes that in Italy he was called “Gherardo delle Notti”.

Which eighteenth-century art movement painted playful, gallant scenes in pastel tones, such as Fragonard’s “The Swing”?

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Rococo

Antoine Watteau and François Boucher also belong to it; the style conquered the salons and palaces of the nobility.

💡 Did you know? The name goes back to “rocaille”, the shell-like ornament of the period.

Which term describes Leonardo’s smoky, soft transitions without hard outlines, as in the smile of the Mona Lisa?

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Sfumato

The Italian word means roughly “smoked”; Leonardo achieved it with many wafer-thin layers of paint.

💡 Did you know? Measurements showed that some of these layers are only a few thousandths of a millimetre thick.

Which term describes the depiction of space with a vanishing point that Brunelleschi demonstrated in Florence around 1420 with a mirror experiment?

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Linear perspective

Leon Battista Alberti set down the rules in 1435 in his book “De pictura”.

💡 Did you know? Masaccio’s Holy Trinity fresco in Santa Maria Novella is considered one of the first pictures to apply it strictly.

Which term describes a three-part altarpiece with folding side wings, such as Rubens’s “The Elevation of the Cross” in Antwerp?

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Triptych

The central panel is usually twice as wide as the wings; when closed, their outer sides often show a picture of their own.

💡 Did you know? Modern painters took up the format too, for instance Francis Bacon for some of his best-known works.

Which term describes a figure’s pose with weight on one leg and the other relaxed, which Michelangelo’s David took over from ancient statues?

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Contrapposto

The weight rests on one leg, hips and shoulders tilt in opposite directions, and the figure looks alive.

💡 Did you know? The Italian word means roughly “set against” or “counterpoise”.

Which term describes painting that deceives the eye, such as Andrea Pozzo’s illusory dome in the church of Sant’Ignazio in Rome?

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Trompe-l’œil

Painted architecture, windows or objects look so real that you take them for the real thing.

💡 Did you know? The French expression literally means “deceive the eye”.

Which term describes painting with an almost black background from which harshly lit figures emerge, typical of Caravaggio and Jusepe de Ribera?

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Tenebrism

The name comes from the Italian “tenebroso”, dark or gloomy.

💡 Did you know? The style became especially popular in Spain; the young Velázquez painted this way in Seville too.

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