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Middle Ages to Baroque
16 questions · Art
Anyone entering the cathedral of Autun around 1130 saw the Last Judgement above the portal: a giant Christ in the middle, souls being weighed on scales beside him, and devils with long claws. The sculptor Gislebertus even carved his name beneath it. Romanesque art told the story of salvation in stone and paint, stern and solemn. In the East, meanwhile, the mosaics and icons of Byzantine art gleamed on gold backgrounds, and soon Gothic art set huge coloured windows glowing at Chartres and in the Sainte-Chapelle in Paris.
In the fifteenth century art suddenly became earthly. In Flanders, Jan van Eyck and Rogier van der Weyden worked in oils so finely that you almost feel the fur, the velvet and the reflections: Early Netherlandish painting was born. In Florence, Masaccio and Botticelli rediscovered antiquity, and Brunelleschi demonstrated linear perspective with an experiment using a mirror. Around 1500 the Renaissance reached the High Renaissance, when Leonardo, Michelangelo and Raphael were all at work at once. Leonardo blurred the outlines of the Mona Lisa in sfumato, and Michelangelo gave his David the contrapposto of ancient statues.
Then figures grew longer and stranger: Mannerism loved Parmigianino’s Madonna with the Long Neck. The seventeenth century brought the Baroque, with Rubens, Bernini and mighty triptychs above the altars. Those who followed Caravaggio painted figures emerging from deep black in the manner called tenebrism, and Caravaggism spread from Rome to Utrecht. In Rome, Andrea Pozzo fooled every eye with a dome that is only painted, a masterpiece of trompe-l’œil. Finally things turn light and playful: in Rococo, Fragonard’s young woman swings high and loses her shoe.
Sixteen questions take you through some seven hundred years of European art, from the church portal to the salon.
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