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Neoclassicism to Expressionism

16 questions · Art

When Jacques-Louis David exhibited his “Oath of the Horatii” in Paris in 1785, crowds pressed in front of it: three brothers stretching out their hands to their father to swear an oath, clear, severe and antique. Neoclassicism wanted to paint virtue. Soon Romanticism answered with feeling and longing, and Caspar David Friedrich set a tiny monk before an empty sea. German painters mockingly called the Nazarenes moved to Rome in 1810 and lived in a monastery almost like monks, while the landscape painters of the Barbizon school set up their easels in the middle of the forest of Fontainebleau. Around 1850 Gustave Courbet wanted to paint only what he saw: two stone breakers by the roadside. That was Realism, and many Parisians were outraged. In London young painters founded the Pre-Raphaelite Brotherhood in 1848. In 1874 the critic Louis Leroy mocked Monet’s picture “Impression, soleil levant” and so unwittingly gave Impressionism its name. Georges Seurat and Paul Signac then built their pictures from thousands of dabs of colour, and Pointillism was born. In 1910 Roger Fry grouped Cézanne, Gauguin and van Gogh together as Post-Impressionism. Around the turn of the century things grew mysterious: Symbolism painted dreams and myths, Arnold Böcklin his “Isle of the Dead”, and the Nabis around Bonnard named themselves after the Hebrew word for prophets. Alphonse Mucha swept the lines of Art Nouveau across his posters. In 1905 a critic called Matisse and Derain “wild beasts”, and Fauvism was born. That same year Kirchner, Heckel and Schmidt-Rottluff founded Die Brücke in Dresden, and in Munich Kandinsky and Franz Marc gathered Der Blaue Reiter. Expressionism no longer wanted to show what the world looks like, but how it feels. Sixteen questions guide you through this thrilling century of painting.

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Which art movement around 1800 modelled itself strictly on antiquity, as in Jacques-Louis David’s “Oath of the Horatii”?

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Neoclassicism

Clear lines, serious heroes and virtue instead of playfulness: the excavations at Pompeii and Herculaneum had fired the enthusiasm.

💡 Did you know? In this style the sculptor Antonio Canova portrayed Napoleon’s sister Pauline Borghese as a half-naked Venus.

Which art movement put feeling, nature and longing at its centre, as in Caspar David Friedrich’s “The Monk by the Sea”?

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Romanticism

Besides Friedrich, William Turner and Eugène Delacroix are among its great painters.

💡 Did you know? Friedrich later painted over ships in “The Monk by the Sea”, making the sea even emptier.

Which group of German painters moved into an empty monastery in Rome in 1810, hoping to renew art in the spirit of Raphael and Dürer?

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Nazarenes

Friedrich Overbeck and Franz Pforr founded the Brotherhood of St Luke in Vienna in 1809; the nickname came from their long hair worn in the manner of Jesus.

💡 Did you know? In Rome they lived almost like monks in the abandoned monastery of Sant’Isidoro.

Which group of artists painted landscapes from the 1830s on right in the forest of Fontainebleau, among them Théodore Rousseau and Jean-François Millet?

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Barbizon school

It is named after a village on the edge of the forest and is seen as a forerunner of painting in the open air.

💡 Did you know? Millet’s “The Gleaners” of 1857 shows poor peasant women and was felt in Paris to be a political provocation.

Which art movement showed everyday life without embellishment around 1850, as in Gustave Courbet’s “The Stone Breakers”?

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Realism

In 1855 Courbet opened his own pavilion next to the World’s Fair for his rejected paintings.

💡 Did you know? “The Stone Breakers” was destroyed near Dresden in 1945 during the Second World War.

Which group of artists did Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt found in London in 1848?

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Pre-Raphaelites

They wanted to return to the clear, detailed painting before Raphael.

💡 Did you know? For Millais’s “Ophelia” the model Elizabeth Siddal lay for hours in a bathtub and caught a bad cold.

Which art movement got its name in 1874 from the critic Louis Leroy, who mocked an exhibition in the studio of the photographer Nadar?

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Impressionism

Claude Monet, Auguste Renoir, Edgar Degas and Camille Pissarro painted fleeting light with quick, visible brushstrokes.

💡 Did you know? Leroy was alluding to Monet’s picture “Impression, soleil levant”.

Which art movement built pictures from dabs of pure colour placed side by side, which only blend in the eye, as with Paul Signac?

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Pointillism

Georges Seurat developed the technique from the colour theories of the chemist Michel Eugène Chevreul.

💡 Did you know? Seurat worked for about two years on “A Sunday Afternoon on the Island of La Grande Jatte”.

Under which umbrella term did the critic Roger Fry group Cézanne, Gauguin and van Gogh in a London exhibition in 1910?

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Post-Impressionism

The three went their own ways: Cézanne towards solid form, Gauguin towards flat colour, van Gogh towards expression.

💡 Did you know? The exhibition outraged many London visitors at the time.

Which art movement set out to paint dreams, myths and the invisible, as did Odilon Redon, Gustave Moreau and Arnold Böcklin with his “Isle of the Dead”?

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Symbolism

The poet Jean Moréas published the movement’s manifesto in the newspaper “Le Figaro” in 1886.

💡 Did you know? Böcklin painted the “Isle of the Dead” in five versions.

Which art movement around 1900 loved sinuous plant-like lines and ornament, as on Alphonse Mucha’s posters?

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Art Nouveau

The name comes from a Paris gallery; in Germany the style was called Jugendstil after a Munich magazine.

💡 Did you know? In Vienna it was known as the Secession style, in Italy as Stile Liberty.

Which art movement got its name when a critic at the Paris Salon d’Automne of 1905 called Henri Matisse and André Derain “wild beasts”?

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Fauvism

The painters used pure, garish colours, quite independent of the natural colour of things.

💡 Did you know? The critic Louis Vauxcelles saw a Renaissance-style sculpture among the paintings and quipped: “Donatello among the wild beasts”.

Which early twentieth-century art movement distorted forms and colours to show inner feelings, with Edvard Munch’s “The Scream” as a forerunner?

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Expressionism

It flourished above all in Germany, roughly between 1905 and 1920.

💡 Did you know? Munch made “The Scream” in several versions, as a painting, a pastel and a lithograph.

Which group of artists did the architecture students Ernst Ludwig Kirchner, Erich Heckel and Karl Schmidt-Rottluff found in Dresden in 1905?

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Die Brücke

With garish colours and angular woodcuts it became the nucleus of German Expressionism.

💡 Did you know? Emil Nolde was briefly a member too.

Which group of artists around Wassily Kandinsky and Franz Marc published a famous almanac in Munich in 1912?

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Der Blaue Reiter

Besides Kandinsky and Marc, August Macke and Gabriele Münter belonged to the circle.

💡 Did you know? Marc loved horses, Kandinsky riders, and both liked blue: that is how Kandinsky later explained the name.

Which group of artists around Pierre Bonnard, Édouard Vuillard and Paul Sérusier named itself after the Hebrew word for prophets?

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Nabis

The starting point was a small picture by Sérusier from 1888, “The Talisman”, painted under Gauguin’s guidance.

💡 Did you know? Within the group Bonnard was nicknamed “the very Japanese Nabi”.

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