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Modern and Contemporary
16 questions · Art
In 1907 Pablo Picasso showed a few friends in his Paris studio a large picture of five naked women whose faces looked like masks. Even Georges Braque was horrified at first, but soon the two developed Cubism together. From then on movements tumbled over one another. In 1909 Filippo Tommaso Marinetti celebrated speed and machines in Futurism. In 1915 Kazimir Malevich hung a black square in the corner of the room where an icon would hang in Russian homes, and proclaimed Suprematism. In the middle of the First World War, artists at the Cabaret Voltaire in Zurich made nonsense and chance their programme: Dada.
After the war many wanted to build the world anew. In Russia, Constructivism saw art as work with materials; in the Netherlands, De Stijl around Piet Mondrian reduced everything to lines and primary colours; and Walter Gropius founded the Bauhaus in Weimar. Otto Dix and George Grosz drew the Weimar Republic soberly and bitingly in New Objectivity, while in Paris André Breton put dreams above reason with Surrealism.
After 1945 New York became the centre: in Abstract Expressionism Jackson Pollock dripped paint onto canvas laid on the floor. Andy Warhol painted soup cans and Pop art conquered the galleries, while Bridget Riley made patterns shimmer before the eye in Op art. Minimalism set plain boxes in the room, Fluxus turned concerts into actions, and Robert Smithson used Land art to lay a spiral of rocks in the Great Salt Lake. Today street art is sprayed and pasted onto walls, and in 2018 Banksy had one of his own pictures shredded straight after it was sold at auction.
Sixteen questions guide you through more than a hundred years of modern and contemporary art.
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